Informed by Sigmund Freud’s notion of the uncanny, the series considers how familiarity and unfamiliarity can exist at once. Stoic, doll-like poses and minimal settings create a sense of emotional stillness, while recurring objects and staged interactions suggest the fragile persistence of memory. At the same time, the work reflects on the pressure of growing into adulthood within the demands of social and cultural expectations, where identity can feel suspended between belonging and detachment. Through reenactment, the series traces the quiet disorientation of becoming unfamiliar to others, and to oneself.